Thursday, October 18, 2012

Many Stops Along the Way

This will be a quick update on yesterday's activities, while my clothes are spinning around in the dryer. I need to be out the door by 9:30 a.m. to meet my friend Judy at Tate Modern. It's another day that's starting out much better than predicted. I'm not taking credit or anything, but I do seem to have a way of making the rain hold off when I'm visiting.

Yesterday, I filled in a missing bit of the Regent's Canal with a walk from Camden Town to the start of the Islington Tunnel. I've now walked the towpath from Ladbroke Grove to Limehouse, which I think totals about 20 miles. My friend Malcolm joined me for this segment -- we met up at the Spanish School in the Portobello Road for a quick look at the new wall installation (large photos on a coffee theme) and then hopped the No. 31 bus to Chalk Farm and got on the towpath at Hampstead Road Lock.  Not a lot to see along this stretch -- some new and converted housing on the opposite side from the towpath (I saw one sweet converted warehouse where I'd love to live), and the remains of the wall on which Banksy and Team Robbo carried out their graffiti feud. The most interesting part is at King's Cross, where there's been an amazing amount of development since I last poked around there about four years ago. The gasometers are now all gone (mothballed somewhere, with at least one to come back at some point and put to some unknown purpose), Central St Martin's College of Art has moved into a renovated warehouse, there are new steps from the towpath to a large square, and a bridge over the canal leading straight into King's Cross Station. There are various food vans and stalls between the bridge and the station that change every day, which made a great opportunity for us to get a bite to eat and have a sit-down. I had a Scotch egg (my first!), with a 3-bean crust instead of the usual sausage, from a stall called Eat My Pies. It was made by the mum of a Brit named Andy Bates who has a show on the Food Network in America (I've not seen it, but will check it out when I get back home). Good cooking must run in the family, because Andy's mum's Scotch egg was delish.

The leg of the towpath from there to Islington was easy and uneventful. If it had been raining, I would probably have stopped at the Canal Museum just past King's Cross, but that can wait for another trip. After leaving the towpath and walking through Chapel Market, Malcolm and I went our separate ways, he to Jessup's to look at camera gear, and me to get on the No. 73 bus to Euston.

It was still sunny when I got off the bus and started to wander though Bloomsbury, but clouds began to roll in. My first stop was the crypt gallery at St Pancras Parish Church, where I saw a fab exhibition by women artists called Dare to Wear. It was by far the most colorful and fun thing I'd ever seen in the creepy crypt. By then I was in need of tea and another sit-down, so I wandered down Marchmont Street. Rain drops started falling when I reached the Brunswick Centre, and soon turned into a downpour. I took shelter in the caff at the Foundling Museum, a site which has a long history of providing refuge. When the rain let up, I pushed on to St Giles High Street, and looked in at the exhibition of Crossrail archaeology -- bits ranging from bison bones to Victorian pottery that's been dug up in the massive excavation for the new Crossrail system. This is really fascinating stuff, and well worth a look-see if you're in Tottenham Court Road (but hurry because it ends soon!). 

Back on the Euston Road, my next stop was the British Library, where I looked at the permanent exhibition (Treasures of the British Library) -- a good way to kill the remaining hour before meeting Roger in front of the St Pancras Hotel at 6 pm. We wandered around King's Cross looking for a pub to grab a quick dinner, and ended up at Central Station on what clearly was drag night at the pub. The last destination was King's Place, where we heard Scottish contemporary folk/rock from a bloke called Roddy Woomble and band called Rura. Lovely venue, and Roddy and company made some nice sounds, but I thought his songs needed work (except for a very nice cover of John Prine's Speed of the Sound of Loneliness). We did not stop in the foyer to buy the CD.

Stats:
28,170 steps (11.11 miles)
Expenses:
£10 to top up my Oyster card
£2 for exhibition catalogue from Dare to Wear
£2.70 bevvies and nibbles along the way
£8.85 veg burger and half pint of bitter at the pub
£5 glass of wine at the concert

Wednesday, October 17, 2012

Tuesday = Garden Day

It wasn't a conscious plan, but Tuesday turned out to be a day of gardens. The plan was to meet up with Maggie at Putney Bridge station, for a stroll around Bishop's Park, then up the New King's Road to Chelsea. Since it was such a bright, sunny day when I woke up, I decided to seize the opportunity (with rain being predicted for the rest of the week) to first take a detour through Meanwhile Gardens on my way to catch the tube at Westbourne Park station. I wanted to check on the yarnbombs that I'd left there last year, and pre-scope some possible sites for this year's wooly creations. The striped yarnbomb is still quite bright, and easily seen from the towpath. I wandered through the wildlife garden, and ran into two of the gardeners. I told them that I was the yarnbomber, and their faces broke into big smiles. "We love it! We were so excited when we came to work and found it last year." I told them to be on the lookout for some more surprises in a few days. My second, green piece, is still where I left it, well hidden in the foliage. 

It was a perfect day for a long, long walk with Maggie, which has turned into a bit of a tradition. We ambled through the walled garden at Fulham Palace and then eastward, past one of the oldest brick kilns in London, the remaining walls of an old penitentiary, an art nouveau temperance hall, some absolutely lovely almshouses, a fabulous (disused) Victorian power plant, into the (rebuilt) church where Henry VIII married Jane Seymour, looked for Queen Elizabeth I's mulberry tree (didn't find it), and saw dozens of blue plaques for painters, writers and suffragettes who lived along Cheyne Walk, and the Royal Hospital where the army pensioners live out their final days. Our stop at the Chelsea Physic Garden was well worth it -- what a great place, full of beautiful beds of flowers, medicinal herbs, veg and all sorts of plants from around the world. If I lived in London, I'd go there often and maybe finally learn to tell one plant from another.

The last stop on our ramble was the Saatchi Gallery in Sloane Square, to see Richard Wilson's oil tank, which I'd wanted to see for ages. It was even better than I imagined -- it totally distorts your sense of space, of what's up and what's down, and where you are in relation to floor and ceiling.

The day ended with a meet-up with 15 or so of my mates from Guess Where London -- a marvellous bunch of smart, witty, knowledgeable, and ever-so-quirky photographers. Big thanks to Maggie and to everyone who came to the meet-up for making it a memorable day in London.

Stats:
27,946 steps (11.02 miles)
Expenses:
£2.79 lunch from Tesco Express (tuna & sweetcorn sandwich and a beverage, eaten on a bench overlooking the Thames)
£9 Chelsea Physic Garden
£6.30 beer and nibbles at the Cross Keys

Tuesday, October 16, 2012

Monday = Museum Day

Monday's destinations were entirely on page 35 of my Mapguide (the one I thought I'd lost, but found wedged between my mattress and headboard at home). First stop was Somerset House, where I'd intended to see Night Paintings by Paul Benney, in the Deadhouse below the fountain court. After looking at the first four or five paintings, I came to a tape barrier. Turning around, I saw another tape barrier back by where I'd come in. I asked, and was told that they'd had a water leak in the lightwells and needed to close the rest of the exhibition, probably until the weekend. This was disappointing -- not so much because I was dying to see the rest of the paintings, which I'm sure were interesting, but because there are a bunch of 17th century tombs down in the Deadhouse that I'd wanted to see. With rain coming tomorrow and lasting the rest of the week, I don't think they'll be reopening any time soon. While I was at Somerset House, I also checked out the Nelson staircase and two small exhibitions (British illustration and Vidal Sassoon). 
Next, the London Transport Museum, which I'd never visited before. Amidst the absolute din and chaos of screaming, running school children, I followed the history of London transport (boats, buses and trains) from the mid-19th century to the present. When I reached the final level, at last I was able to go to the exhibition I'd really come to see -- Mind the Map, about graphic design, maps and posters for the Underground. It was blissfully quiet in the exhibition rooms, as I was the only person there. It was well worth enduring the cacophony of kiddies to reach the exhibition, and the rest of the museum was pretty good as well, even for non-trainspotters like me. 

I grabbed a quick lunch at Tesco Metro and ate in the churchyard of St Paul's Covent Garden. Then, on to the British Museum for Shakespeare: Staging the World, a fascinating array of paintings, printed material, and artefacts related to Shakespeare's times and to the subjects of his plays. This exhibition was crowded with pensioners, who are quieter the school kiddies, but due to their failing eyesight (and the general dimness of the lighting), they tend to stand about 6 inches in front of every piece. It's amazing that some of the things they had on display have survived all this time, particularly the tapestries and clothing. 
It was 4:30 when I left the BM, and I figured it was best to get out of central London before the rush hour, so I hopped the No. 7 to Paddington Station and then the No. 36 back to Maida Hill. 

Today, I'm off to Fulham Palace, then bits of Chelsea, and ultimately to the Guess Where London (Flickr group) meet-up at a pub in the City. I'll be wearing my best walking shoes (blister update: it's much better now). 

Stats:
13,747 steps (5.42 miles)
Expenses:
£13.50 admission to the Transport Museum
£2.15 lunch (egg and cress on brown bread and a beverage)
£1.89 pint of yogurt from the supermarket since Roger's supply was running low
(Used R's BM membership card to get into the Shakespeare exhibition free)

Monday, October 15, 2012

Rambling through Kensington

This year's Serpentine Pavilion, designed by Ai Weiwei and Herzog & de Meuron, was a bit of a disappointment. The concept is intriguing -- they dug down to reveal the foundations of the eleven previous pavilions, and incorporated them into the design of the tiered subterranean seating, covered with cork. There are also some little stools (probably the tops of foundation posts, that look like mushrooms or champagne corks. The "roof," about 4 feet above ground level, is a shallow oval pond. I'm sure that the space functions far better than last year's pavilion, with its four dark wooden corridors, but I missed the fun of the color and reflections of previous pavilions. But it was a beautiful day for a walk through Kensington Gardens, so I'm not going to complain too much. 
I got my chance to photograph some really ace reflections when we strolled down Exhibition Road. Tony Cragg's sculptures -- including one super shiny, curvy-wurvy one -- dot the road. I do love me a good reflection.
Next stop was Christie's in Old Brompton Road, where we went to see the Multiplied 2012 contemporary print art fair. Tempting as it was, we didn't buy anything. But I really loved the pop art prints of Amy Winehouse, by Gerald Laing, especially one with her hair tied up in a bandana, cigarette hanging out of her mouth, and pushing a Hoover. I got the postcard.

We then walked down to Brompton Cemetery, so that I could tick another of the Magnificent Seven on my list. (This was the fourth for me, having done Abney Park, Kensal Green, and part of Highgate.) Not as overgrown and creepy as Abney Park, nor as full of over-the-top Victorian tombs as Kensal Green, but the late afternoon light was glowing and lovely for a few moments so there were a few nice photo ops. 
I started this post with one whinge, and I'll end with another: I've got a blister on the ball of my left foot. I've slapped a blister plaster on it, and will carry more with me in case the other foot goes down the same path. I'm getting soft in my old age. 

Today, I'm heading out on my own for Central London to take in some museums and stuff.

Stats:
18,836 steps (7.43 miles)
Expenses:
£1.50 for apples at the Queen's Park Farmers' Market
£4 for sandwich in the caff at Christie's
£1.50 for 2 cans of coconut water

Sunday, October 14, 2012

Wide Eyed

They should make me the poster person for JetZone, the homeopathic jet lag prevention "medicine" that I impulse-purchased at Deals and Steals and tossed into my carry-on bag. I chewed the little tabs (sugar pills) as directed before, during and immediately after my flight. It didn't help me to get more than 2 hours of sleep on the plane, but it -- plus a mighty big cup of coffee -- kept my alert and moving all day Saturday until I finally crashed around 10:30 pm.  I did wake up in the early hours of morning and couldn't get back to sleep for 2 hours (I'm putting that down to all the spicy food I ate at Tayyab's as much as to jet lag), but then slept till 9:30 am, and now feel that I'm successfully adjusted to BST. 

We worked in everything on my Saturday list, and then some. Starting our adventures at Old Street, we made our way towards the Moniker Art Fair at the Village Underground, zigzagging through Hoxton and Shoreditch to see street art, including several pieces by Stik, one of my favorite street artists. We saw some new things (Hoxton Square, Rivington Street, and the Leonard Street carpark), and some new-to me pieces (Stik's studio in Pitfield Street, and a community centre in Parfett Street). We also saw a paint-not-quite-dry mural by Shepard Fairey, called "Shoplifters Welcome," in Ebor Street, very near Boxpark, which was another of my destinations. Boxpark is a condensed shopping area, with small stores all in a series of shipping containers assembled on two levels. I was interested in seeing it because of my current penchant for creative reuse and because the Pie Minister is there, and I've been thinking all year about that lovely Heidi pie (winter squash and goat's cheese with savory herbs) that I had last October so I needed to pick one up to eat later in the week. 
Of the indoor art we saw at the Moniker Art Fair and at the Whitechapel Gallery, my two favorite works involved small taxidermied mammals. I usually don't go in for that sort of stuff, but these were great (and I'm just telling myself that the wee critters were road kill, not intentionally sacrificed for the art). At Moniker, Nancy Fouts, a 68-year old American artist who works in the UK, had a piece called "Rabbit with Curlers." At the Whitechapel Gallery was Maurizio Cattelan's Bidibidobidiboo, a miniature family kitchen with a squirrel that has committed suicide slumped at the table. There, we also saw some conceptual stuff, which I don't pretend to understand -- this year's Bloomberg Commission by Guiseppe Penone, and paintings and installations by Mel Bochner, the best of which was a series of colorful word paintings (imagine Sol LeWitt works with text instead of lines). 

An early dinner at Tayyab's finished off our day out in the East End.

Stats:
20,659 steps (8.15 miles)
Expenses:
£20 to top up my Oyster card
£4 for two tote bags at Moniker Art Fair
£3.50 for Heidi pie
£1 for postcards at the Whitechapel Gallery
Spooner treated me to mid-afternoon tea and to dinner