Sunday, October 26, 2025

All Culture, No Whinging (Week 2)

With my creature-comfort needs and wants now satisfied, I'm no longer flitting about from charity shop to car boot sale to Poundland and have settled into life in the loft in Tufnell Park. I'm getting better at using the minute kitchen and at buying groceries every other day given the size of the tiny fridge. But turn me loose in a Waitrose and I'm sure to come out with more than I can shove into that fridge or cook in the next few days. It's an ongoing learning curve. 

The sun didn't make much of an appearance in the past week, but the temps have been fine for the most part -- a bit chilly in the morning and evening, but I've been comfortable. The grey and gloomy days have driven me indoors for most of my activities, however, resulting in lots of cultural pursuits. So, make yourself a cuppa or pour a pint and read on.

On Monday (that difficult-to-plan day of the week, I went to the following places and had a bit of a late-afternoon crisis.

I started at the Courtauld Gallery to see Wayne Thiebaud: American Still Life. I loved the paintings -- cakes, pies, deli counters -- but, as the Courtauld no longer gives Art Pass discounts (or even senior citizen discounts), I didn't think 22 paintings for £18 was good value for money. I found it amusing that the wall text provided explanations of American terms, for example the text for the painting Cold Cereal described it as being "in distinction from warm breakfast grains."

Next, over to Kensington to the Japan House for their current (free) exhibition Pictograms, about how all these universal icons were conceived, designed and accepted world-wide, particularly with the mass-appeal of emojis. 


I used their fabulous loos again. On my way out, I was speaking with the cleaner about how much I love these loos but am afraid to push any of the buttons. She took me back into one of the cubicles and showed me how they work, encouraging me to try them next time. 

I then walked to Leighton House, which is free with my Art Pass. The small exhibitions -- Contemporary Art from the Middle East and North Africa and Ghost Objects -- were so-so. I enjoyed Leighton House: A Journey through 100 Years, showing photos of the house as it was originally, through various uses and bomb damage, to its restoration as what it is today. Here's one of the ghosts objects (something that used to be in the house but is no longer there):


When I exited the house around 4 pm and pulled out my phone to ask the Citymapper app to get me home, I found I had no cell service. I couldn't get a signal no matter where I stood or pointed the phone. I tried restarting it a couple times to no avail. Fortunately, I've got the Google map of London downloaded to my phone -- with that and a paper tube map, I figured out that I could get the Mildmay line from nearby Kensington Olympia station and it was a quick there (I've never used this station before). As I sat on the train, I fiddled around with my phone, checked umpteen settings, etc., and was beginning to think I'd have to walk to the Vodafone store in the Holloway Road for help. So engrossed was I in the bloody phone that before I knew it I'd gone one stop past Gospel Oak, so got out at Kentish Town West, changed platforms and went back. Somewhere along the walk from Gospel Oak back to my gaff, phone service returned. Hooray! I later found out that it wasn't my phone that was the problem -- Vodafone had a huge outage that lasted many hours and impacted thousands of customers. I doubt I can apply for a credit or rebate due to lack of phone service.

On Tuesday, I took the train from Victoria station to Chichester. This was my first time using my new senior railcard to get 1/3 off on my tickets. When I got to Victoria, I soon found out that my train was delayed -- 45 minutes delayed due to some sort of train malfunction around Horsham. I later learned all about how to apply for "delay repay" online, which was easy peasy. 

In Chichester, I went to the Pallant House Gallery. I had been there in April and really enjoyed the space and the exhibition I saw. This visit was for the exhibition Seeing Each Other: Portraits of Artists. Once again, Pallant House delivered. Starting around 1900 and going up to the present, there were paintings, drawings, sculpture and photographs of artists by artists, many of whom were their friends and/or lovers. Again, the Bloomsbury Bunch were out in full force, painting and having sex with each other. I spent nearly two hours looking at everything. Not that we should judge art exhibitions on this basis, but I'd say this exhibition was very good value for money. 

Nina Hamnett by Roger Fry:


Gilbert and George Pink by Sue Dunkley:


My time in Chichester was rather short as I had gotten there late and I'd booked a 4 pm train back to London, so I had only a bit of time to wander around the charming town, walk along another part of the city wall (Roman and medieval), and wander down to the canal basin. Before getting on the train, I stopped into a caff and bought a huge piece of homemade carrot cake from a lovely lady. I didn't ask, but I suspect she baked it herself. I told her I was getting it for my train journey, so she carefully wrapped it in foil for me. Aw!

Wednesday was a bit lower key. I faffed around in the morning, did some online Pilates, and then met my friend Jen at the Tufnell Park station to accompany her on a walk around the area. Jen is another of my walking tour guide friends and she was working up a Tufnell Park walk that she would offer to punters on a date I wasn't available. She needed to check out a few things before the walk went live, and wanted some feedback on it, so I was happy to tag along as her guinea pig. I learned a lot about how the area developed from a manor house property into the suburb it is now and saw many details that I hadn't noticed in all my rushing around to grocery stores and charity shops. 

In the afternoon, I took the overground to Finchley Road and Frognal, then went back to the Camden Art Centre for the exhibition I'd tried to see last week before it had opened. If I had bothered to read about the current exhibition -- Karimah Ashadu: Tendered -- I would have known that this was going to be a stretch for me. The exhibition is comprised of three videos, about body builders, an abattoir, and a cowboy, all filmed in Nigeria. I'm generally not into video as art, but since I'd come here twice I thought I should stay for the show. I lasted less than a minute for the body builders and the abattoir, but I actually watched the entire video about the cowboy, a sensitive young man who has spent his entire life around horses. 

Although it's easier to get public transport to Tufnell Park from central London than it is to go between Belsize Park and Tufnell Park, that's what I did. I got the bus down to Swiss Cottage, then walked along Eton Avenue and England's Lane to the Belsize Community Library. My mission was to get a library card and check out a book. Unlike the other libraries in the borough of Camden, which require proof of address in the form of a utility bill or rent receipt, the Belsize library is independent. I'd sent them email asking if I could use an envelope from the National Art Fund as my proof of address, and they'd said yes, I could. But all I had to do was fill out a short form and didn't have to produce any proof. I now have a plastic library card!

The post box topper in England's Lane, made by a group of women from the library, now has a seasonal theme "Nightmare Before Christmas."


Thursday morning, I returned to the Barbican (this business of going twice to the same place will be a recurring theme during my autumn stay), this time to the art gallery for Giacometti and Mona Hatoum. This is the second of the Barbican's series of installations of works by Giacometti in "encounters" with a contemporary sculptor, this time the Lebanese artist Mona Hatoum, who now lives in London. I had seen a large exhibition of her work at the White Cube Bermondsey a few years ago and really liked it. Her sculpture deals with displacement, social repression and conflict. I was intrigued by how she encorporated Giacometti's work into her own and showed her pieces in dialogue with his. 



Upon leaving the Barbican, I remembered to stop in to the Barbican Laundrette to take a few photos. 


I then sat in Charterhouse Square to eat my packed lunch before getting on the train at Farringdon. The Elizabeth Line took me swiftly to Stratford (on the eastern side of the 2012 Olympic site), when I switched to the Mildmay Line to go one stop back westward to Hackney Wick. There I met my friend Lesley and we walked across a bridge over the Lee Navigation to the western side of the Olympic site. The building which had housed all the media during the Olympics has now been redeveloped into various offices, light industry, tech businesses, cafes, and now is home to the V&A East Storehouse, where we were headed. 

But first, we stopped into a complex called Here East in which the artist Conrad Shawcross has installed an enormous ropemaking machine. Umbilical, as the installation is called, incorporates 40 interlocking arms topped with bobbins of yarn. Through movements that have something to do with planetary orbits, the arms pull and enterlace yarn until it comes out as rope that's 2-3" in diameter. I don't really understand how it works, but it was really cool to watch. 




And then the V&A Storehouse blew my mind! This is the new facility in which the V&A stores everything that's not on display in one of its museums. Shelving going up three storeys through the vast space, with glass floors separating each level, is full of all kinds of fascinating pieces of material culture. The objects are not organized for display as they would be in the museum, but rather sitting on shelves for people to see or study. Anyone who is interested, for research purposes or just curiosity, can request a particular object to be brought to a study room where they can see it up close. Through the glass floors, you can look down into the conservation rooms where objects are being stabilized or restored. We saw some items of clothing being brought out in archival grey boxes for a student to examine. 




Two of the best things we saw were an entire wood-panelled office designed by Frank Lloyd Wright and a 1930s kitchen. This is the kind of place you could come to time and time again, never seeing the same things twice and always finding something new and fascinating. 



After cake and a catch-up in a nearby caff, I took the overground to Hampstead Heath, where I used the Victorian subterranean loo, bought a salad for later at M&S Simply Food, and then walked to my evening event. 



At the Isokon Gallery, I heard a talk by a German architect about the restoration of the Bauhaus building at Dessau. The talks at the Isokon are always interesting, but it's really tough sitting on those backless stools for an hour and a half. Thank goodness they provide a complimentary glass of wine. 

My friends David and Janie took me on another day trip on Friday, this one to Farleys House, the country home of Lee Miller and Roland Penrose, in East Sussex a bit north of Eastbourne. Not a National Trust or English Heritage home, Farleys is owned and maintained by a private trust that benefits from the copyrights to Lee Miller's work. Lee and Roland's son Antony Penrose is head of the trust and is very hands-on in the running of the house, grounds and gallery. It's a bit more commercial than NT or EH properties, but all the merch is tasteful -- no tat at all. 

The house tour was led by an animated and witty guide who took us through the rooms on the ground floor, telling stories of all the artists who came to visit and whose works hang beside Miller's and Penrose's on the walls. The kitchen, where Lee Miller turned her attention to cooking after giving up her photography career, was so cool -- full of all sorts of mid-century objects and of works by Picasso, a frequent visitor. Likewise the dining room, where a combination of found art and modern art pieces could be seen everywhere we turned. Alas, because of the copyrights, no photography is allowed inside the house so you'll just have to take my word that it's fab. After the tour, we strolled around the garden with various bits of sculpture, ate our packed lunch on an outdoor table, then checked out the gallery and gift shops. 


Farleys House is located in the hamlet of Muddles Green near Chiddingly (you can't make this stuff up), which is basically nowhere. The nearest train station is miles away in Lewes, and bus service from there to Muddles Green is infrequent at best. So, I was very happy that Janie and David were keen to make the journey via hedge-lined, narrow country roads to get there and back. Once we were finally back to civilization in south London, we headed straight to Southey Brewing Co. in Penge, near to where David and Janie live. They brew on site and have a taproom that's very popular with the locals. David's group of mates who get together weekly to maintain the local Cator Park had recently picked bags of hops that grow wild in the park. They turned the hops over to Southey Brewing, who made a special brew of them called Cator Park Fresh Hop 2025. We all had pints and thought it was grand. 

Once home in my attic gaff, I made myself some soup and sat down for a bit of YouTube viewing. One of my favourite content producers is a bloke called John Tweedy, who lives nearby in Kentish Town and posts regular videos about pubs, real ale (especially bitter), wine, walking and wild camping, and occasionally something of local interest. His Friday video, on his Tweedy Misc. channel, was about the Goodison Fountain on Hampstead Heath. The fountain is the head of a chalybeate (iron rich) spring and isn't marked on Google maps. With a few cues from Tweedy, I took up the quest for the fountain as my Saturday challenge. With no rain in the forecast, I scurried over to the Parliament Hill Farmers' Market for my usual bread purchases and then headed up the east side of the Heath, past the men's and women's bathing ponds, and around the ancient Caen Wood. I made one wrong turn, then doubled back downhill and suddenly there it was! I was surprised that the small number of people and dogs who I saw nearby took no notice of this spectacular and rare find. It might be the only existing chalybeate spring on the Heath, for goodness sake! And the fountain looks grand. 


When I walked back down the Heath to my gaff to deposit my bread purchases, I had no plan for the afternoon. An hour or so later, the plan emerged: since I would be ending my day in Richmond, and as Vauxhall is sort of halfway there, it made perfect sense that I'd go to the Newport Street Gallery to see the recently-opened exhibition. The gallery is owned by Damien Hirst, whose art I don't really care for, but the gallery space is spectacular and it's fun to go there to see what's on. The current exhibition is Triple Trouble, a mash-up/collaboration between Hirst, Shepard Fairey and Invader. I love Shepard Fairey and Invader, so I put my dislike of Hirst aside. The exhibition was great, full of Shepard Fairey's iconic graphic images and Invader's mosaics. Hirst's contribution of cigarette butts and scalpel blades didn't add anything and could be overlooked. 



Finally, I was back on the tube, headed to Richmond to see a live performance of the podcast The Wittering Whitehalls. I'm a DODL (Day One Dear Listener) to this humorous podcast, featuring Hillary and Michael Whitehall (parents of Jack Whitehall) who answer requests for advice from listeners. I loved gawping at the ornate interior of the Richmond Theatre (Grade II* listed, architect Frank Matcham) from my seat in the front row of the dress circle (first balcony) and the show was just as amusing as I'd hoped.



Sunday started out with some bits of clear sky but it went pear shaped very quickly, bringing drizzle with intermittent downpours the entire day. But that didn't stop me from doing two guided walks. In the morning, I met Jane to explore Mr. Pooter's Holloway. He is the central character in the book Diary of a Nobody -- a man looking to climb the social ladder in 1880-90s Holloway, straight-laced and prudish, but ever trying to make a good joke or pun. Throughout the book, Mr. Pooter has somewhat fraught interactions with people who would have practiced various trades up and down the Holloway Road, including the ironmonger, tailor, etc. It was good fun to try to work out where he and his family lived and shopped during the glory days of Holloway, when you could get anything you wanted right here. 

I next scooted down to Red Lion Square for another event associated with the Bloomsbury Festival. Starting at Conway Hall, the walk explored the Humanist Bloomsbury: Doers, Dreamers and Place Makers. I learned about the various free-thinking individuals and groups that came under the Humanist umbrella -- non-conformists or non-religious, ethical societies, anti-war activists, feminists, artists, writers, labour organizers. Despite the miserable weather, our lovely guide Maddy Goodall held my attention throughout and I now want to learn more about these people. 

I then trudged on through the rain and caught a bus back to Tufnell Park, putting a soggy end to my very full second week. 

Stats:

Monday:
£18 Courtauld Gallery
£4.50 banana cake
£7.82 groceries
£50 top up Oyster card
Japan Foundation - free with Art Pass
Leighton House - free with Art Pass
16,770 steps
6.88 miles

Tuesday:
£12.34 train to Chichester (-£3.10 delay repay)
£7.50 Pallant House Gallery
£3 pain aux raisins
£3.75 carrot cake
16,095 steps
6.62 miles

Wednesday:
£15.20 groceries
£3.20 tea at caff
Camden Art Centre - free for all
18,687 steps
7.71 miles

Thursday:
£5.50 Barbican Gallery
£4.69 groceries
£12 talk at Isokon Gallery (with wine)
V&A Storehouse East - free for all
18,272 steps
7.49 miles

Friday:
Farleys House - a treat from my friends!
9,437 steps
3.89 miles

Saturday:
£7 farmers' market
£12 wine and groceries
£36.64 Richmond Theatre
Newport Street Gallery - free for all
24,571 steps
10.14 miles

Sunday:
£18 Holloway walk
£10 Bloomsbury walk (included donation to Conway Hall)
£1.20 pastel de nata
15,187 steps
6.23 miles



Monday, October 13, 2025

Another London Autumn (Week 1)

Yes, here I am back in London, a mere five months since my last visit. During this visit, I'm staying in Tufnell Park as my usual gaff in Belsize Park was already booked. It's been six years since I was last in Tufnell Park -- it seems more bustling than it did in 2019 and there are some new shops and caffs to explore

I got off to a bit of a rocky start, arriving on Friday morning with only one hour of sleep on the plane coming across the pond from America. Storm Amy was lashing Ireland and the British Isles with rain and wind, and we had a late departure from Dublin and very bumpy landing at Heathrow. I reached Tufnell Park around noon to drop off my bags and then kill three hours until I could officially check in to the AirBnB. In my mind's eye, I would arrive on a nice autumn day and spend a lovely afternoon walking on the Heath or Waterlow Park and Highgate, but that plan was scuppered by Storm Amy. Instead, I wandered up and down the Holloway Road, picking up things I needed from Boots and doing some grocery shopping. To cheer myself up, I bought a cup of Forgotten Ends at Waitrose (the price has risen by 50p since May!), which I ate at the counter along the front window, looking out at the rain on the Holloway Road. 

My AirBnB is a loft (attic) studio flat in a family home on a Edwardian terrace street. The flat is clean, bright and airy (the bed is amazing!) and is stocked with the basics needed to live and cook here for a month. However, over the first few days, it seemed that every time I went to look for something I needed -- a saucepan large enough to cook pasta, a bowl large enough for soup or pasta, a roll of paper towels, napkins and placemats, a pot holder (oven glove), dust pan and brush to sweep up crumbs, a tea tidy, a box of Kleenex, cling film, a book to read, and most importantly a water filter jug to deal with the lime scale in the water -- these items were not to be found. The host kindly and quickly provided me with napkins, placemats, an oven mitt and a new squeegee for the shower (the old one was worn out). Being the resourceful thrifter that I am, and having very little frustration tolerance when it comes to my basic comfort and tidiness, I made a list and a plan to get the other things as quickly as possible. By Tuesday, I'd ticked off nearly everything on the list. Read on for details.

I awoke on Saturday morning to find that Storm Amy had moved on, leaving only puddles and fallen leaves behind. I started the day with a brisk walk up to the Parliament Hill Fields Farmers' Market, where I always love to pick up some favourite things to eat. The walk is a bit longer than from the flat in Belsize Park, but still under a half hour. I bought a loaf of excellent raisin and walnut bread, some olive bread sticks and corn fritters. 

After scurrying back to my gaff to dump my purchases, I headed out to take in some of the free walks on offer from London Local Guiding Day. These hourly walks, organized annually by several of the local walking guide associations, are a way for newly-qualified guides to gain experience taking punters out on the streets. My first stop was at Farringdon Station for a walk in Clerkenwell, led by an excellent Islington guide named Minerva. Although I know Clerkenwell pretty well, I saw and learned several new things. We began the walk near the Smithfield meat market and I saw this:


Having an hour between this walk and then next one that I'd be doing in Camden, I had a quick lunch at a caff and then went back to Farringdon Station to buy a new Oyster card (to replace my 20-year-old "first generation" one that's incompatible with the TfL Go app) and to have it linked to my brand new senior railcard. A lovely member of staff helped me with the buying and the linking. I'll now get 1/3 discount on all my off-peak tube journeys and on bus journeys at any time, using PAYG on my Oyster Card. My daily cap will be £5.90 rather than £7.90. (In past years, I'd purchased a one-month travel card and loaded that onto my Oyster Card; it allowed me to travel any time of day in zones 1-2.) I'll be interested in seeing how much I save over the course of this visit. 

Pushing on to Tottenham Court Road, I rocked up right on time for a walk around St Giles and bits of Covent Garden with Chris Foster, one of the seasoned Camden guides. It was the last tour of the day, and they seemed to have exhausted the rooky guides. Chris is a former Bobbie on the beat in this area and knows it well. This walk, like others I've done with him, was full of wit and his personal recollections of the area. On the way back to TCR station, we walked down Denmark Street (London's tin pan alley):


I had just enough time to scurry down to St Martin-in-the-Fields to see a photo exhibition of Pearlie kings and queens in the crypt. It was the final hour of the final day of the exhibition and I wanted to have a butcher's. Lovely photos, followed by use of a lovely loo. 



My first mission on Sunday was to trudge back over to Parliament Hill for the weekly Bootyful car boot sale (like a flea market in America). I scored a 10-11" saucepan (£4) and a soup/salad bowl (£1). 


Again, back to my gaff to drop off the purchases and have some lunch, then out the door to catch the two buses that would take me over to Belsize Park. After feeling lonely, unhappy and adrift since my arrival, it was so, so nice to be back in Belsize Park and to see the lovely couple who have been my hosts for four years there. Together, we went on the spring Belsize Society history walk, this one about post-war reconstruction and regeneration of the area. I was a guest of the Belsize Society (host Chris is on the committee) at the members' tea and cake social after the walk.

We then walked back to Lambolle Road where I picked up my yoga mat, bundle of clothing, and my new Art Pass. Loaded up with two carrier bags, I returned by bus to Tufnell Park, feeling much better for the warm company and tea, and glad to now have my charity shop puffer jacket as I'm sure I'll be needing it. 

Ah, the Monday challenge. With many of the smaller museums and galleries closed on Mondays, the dilemma is always whether or not to venture to one of the major museums and face the crowds. That's what I did, first to the National Gallery to see Millet: Life on the Land, a very small (free) exhibition of some of Millet's paintings of rural common folk, sowing seeds, reaping grain, chopping wood and tending geese. 



I also wandered around a bit and found Room 44 containing some very nice post-impressionist paintings. 



Fortified by my packed lunch (hummus and pita, as always), I headed next door to the National Portrait Gallery to see the annual portrait award exhibition. Although I'm not too keen on people, preferring architecture and abstraction any day, I do always enjoy the seeing the portrait award entries (all paintings, no photography). This year's group was a very good one. 






I stuffed my gob with a warm, freshly-baked pastel de nata in Covent Garden, had a quick look round the antiques market, and got on a bus to Kentish Town, where I knew there were a slew of charity shops. Armed with my list of needs, I went into two or three of them as well as Poundland (like a dollar store). The very first shop I went into had EXACTLY what I wanted -- a wee Mikasa tea tidy just like the one in my Belsize Park gaff -- for the excellent price of one pound fifty. In other shops I scored cling film, a dustpan/brush combo, two boxes of Kleenex and a small plastic bin to hold my toiletries in a dry spot in the wet room as my things don't fit on the basin and they get soaked there when I use the shower (I should have brought a hanging toiletry bag with me). 


The first thing I had done on Monday morning was to get on the Argos website and order a filtered water jug. It would be ready for pick-up on Tuesday at the Argos in the Holloway Road, where I would be later in the afternoon. My morning destination was the Wellcome Collection in the Euston Road for their latest exhibition Thirst, all about the search for fresh water, draught, floods, cholera, etc. I always like checking out their free exhibitions (generally about some sort of intersection between art, medicine and/or science), browsing their bookshop and using the nice loos. 


In the afternoon, I did a guided walk about Art Deco Holloway with my friend Jane Parker, a fantastic guide who has lived in that area for thirty years, knows a ton about London history and Art Deco architecture, and has a keen eye for design and detail. Covering a relatively small area of territory, we saw a wide array of buildings and learned that "Art Deco" is really an umbrella term, covering a range of dates and styles. 




On to Argos to pick up my water filter pitcher and to Waitrose for a few more food items, then to my gaff for a quick bite to eat. In the evening, I met up again with Jane at the UCL Grant Museum of Zoology for an event (two talks and a glass of wine) connected with their newly-opened exhibition World of Wasps. I went in thinking "Wasps -- what are they good for?" and remembering a sting on the cheek I once received from a vicious hornet. I came away knowing that they are pollinators (perhaps even better than bees) and predators who keep down the populations of more malicious insects. 

Wednesday started with a proper cup of tea, tasting as it should and devoid of lime scum thanks to my filter jug. I can now start my days in a much better mood. My plan of activities didn't start off so well, however. I took the overground (now called the Mildmay Line) to Finchley Road & Frognal and walked across the road to the Camden Arts Centre. After a quick look around the gift and book shop, I was headed toward the galleries upstairs when woman behind me called up to me to tell me that the galleries were closed. I must have written down the wrong opening day of the exhibition, or they changed it since I had added it to my spreadsheet. I was a day early. 

Plan B quickly put into action. I walked along familiar streets up to Hampstead and saw a fine, small exhibition of landscapes, as well as more of the permanent collection that rotates through the galleries, at Burgh House. Although the day was grey and gloomy, the occasional mist never turned to rain. I walked to Hampstead Heath Station to get back on the Mildmay line to Kilburn and the short walk to the Kiln Theatre. I had an OAP ticket for the matinee performance of Reunion, an Irish play that's part drama part comedy, as I imagine any work about an Irish family would be. The ensemble cast of ten was very good and the play entertaining. 

I made it back to Tufnell Park just in time to pick up the Surprise Bag I'd ordered with the Too Good to Go app from a tiny, bougie green grocer a block from my gaff. For £2.33 I got three oranges, two limes, two small lettuces, four or five potatoes and an aubergine (that's eggplant if you're American). The limes looked a little past their prime, but everything else was fresh with plenty of days of life left. I'm trying to figure out how I can microwave an aubergine. 

Thursday was a VERY full day, starting at the Barbican Library where I saw Blondie in Camera, a photo exhibition by Martyn Goddard of the band in NYC in 1978. I totally forgot to pop into the Barbican Launderette, which is frozen in time with machines dating from the 70s. I'll plan to circle back later in the month, especially as I'm no longer afraid of getting lost at the Barbican.



As I walked eastward towards Smithfield, I passed a red phone box turned into a Little Free Library in Charterhouse Square where I took a P.D. James novel that's in good nick. Finally, I have something to read in the evening (my AirBnB doesn't have a single book or even a London guide other than a paper map). I had a good look around the Museum of the Order of St John (hadn't been to the museum for nearly two decades and found that it's been revamped very nicely) prior to a short talk in the museum about coffee in honor of International Coffee Day. St John's Gate had been used as a coffee house owned by Wm Hogarth's father, so there was a good tie-in. 

Next I walked southward, stopping at Superdrug in High Holborn to buy some arnica cream, to the Strand, where I caught the bus to Tate Britain for the most-anticipated exhibition of this visit: a huge retrospective of Lee Miller. It did not disappoint. With something like 250 photos on view, some of which have never been seen, the exhibition is arranged in chronological order covering her early years as a model, work with Man Ray, fashion photography, surrealism, photo journalism in Britain during the war and in Europe during its aftermath, concluding with more intimate portraits of her artist friends. I thoroughly enjoyed it and my back didn't give out for a moment. 





I had been joined by my friends David and Janie for the exhibition. Afterwards, we stopped at a pub in Pimlico near to a bus stop for me and on the way towards Victoria Station where they were headed. A pint of Doom Bar and a packet of crisps gave me strength to push on to my next destination.

The bus ride to Stanfords (the famous map book shop in Covent Garden) should have taken about 30 minutes but ended up being an hour spent in horrific traffic with diversions. I rocked up at Stanfords just as Matt Brown was beginning the talk for his book launch of The Boroughs of London. With maps and illustrations by Mike Hall, the book covers the 32 boroughs plus the City of London, including history, facts, and ten key sites for each. It's a hefty tome and looks lovely, but too big for me to haul back to America in my carry-on so I'll have to order it once I'm home. 

Friday saw me mostly in Bloomsbury with a little of Holborn thrown in. In the morning I went to the British Museum, where I'd scored a free ticket for the exhibition Ancient India: Living Traditions. It was about the representation and iconography of Buddhism, Jainism and Hinduism -- lots of sculpted deities. I know absolutely nothing about these three religions, so it was a good overview for me but I don't think I caught the nuances. 





After eating my packed lunch in Bloomsbury Square (I think I've now eaten in every square in Bloomsbury) I walked briskly down Holborn to the Shoe Lane Library near St Andrew's Church, Holborn. I was there for a free talk entitled The Art and Scandalous Lives of the Bloomsbury Group, all about Vanessa Bell, Roger Fry and Duncan Grant, their friends and lovers. I still can't keep straight who was married to or involved with whom, but some of their complicated love lives are clearer to me now. According to Dorothy Parker, the Bloomsbury Group "lived in squares, painted in circles and loved in triangles". It's all very complicated.

I hoofed it back north to Bloomsbury to do a whistle-stop tour of small venues, starting with the Charles Dickens Museum. I'd hoped to see the recently-acquired, long-lost portrait of Dickens painted by Margaret Gillies in 1843. It had gone missing in 1866 and didn't resurface until 2017 in a mixed-lot box at an auction in South Africa. After authentication and conservation by the Philip Mould Gallery (he's the art ponce on Fake or Fortune), it was purchased by the Dickens Museum. They had it on public display this past summer, but now it's gone back into conservation. The docent told me to call ahead or pop in next time I'm in London to see if it has gone back on display. Since I was at the museum, I had a look at the current exhibition, which is "Showtime". It's a rather naff display of playbills and movie photos from Dickens works that have been on stage or screen. 

Many of the local galleries are participating in gallery walks as part of Frieze. Friday was Bloomsbury's day, so I went round to two of them. First up was The Perimeter in one of the mewses that run behind the Dickens Museum. The current exhibition of mixed media -- hand-painted signs, photographs, prints and some strange audio/video -- by Christopher Williams. I liked several of the large-format photos but the gallery itself left me cold. 

Then I moved on to the October Gallery, one of my favourites that I always try to visit when I'm in London. They represent El Anatsui and have an exhibition of his wooden sculptures called "Go Back and Pick" on right now. I've liked his work for many years, but primarily know him through his reused metal pieces. I initially thought these wooden works were all new, and indeed the first few I saw were, but the second room contained wood pieces from a decade or two earlier. It was interesting to see his progression with wood, and I thought the recent works were particularly powerful. Like the metal works, these wooden ones can be rearranged and hung in different configurations, which I find intriguing. This is a two-venue exhibition, so I shall have to make a plan to see the other half. 



Finally, I made a brief stop at the Calthorpe Community Garden in Greys Inn Road to have a look at a new sculpture called Black Mary's Pleasure Garden, depicting a woman of African ancestry who owned and ran a healing well or spa in this area during the 17th century. The stone sculpture is created by carver Marcia Bennett-Male, the only Black woman stone carver in the UK. 


On Saturday morning, I was out of the flat early to walk up, up, up to Highgate Cemetery for the much anticipated London Month of the Dead event featuring a tour of the mausolea of Highgate Cemetery. Wow! This was totally worth getting up at stupid o'clock back in July or August to be online when Month of the Dead booking opened, enduring multiple website crashes before managing to score a ticket. I checked back an hour and a half after booking, and all the tix for this event were gone, so I was extremely lucky to score one. The tour exceeded my expectations. Ian Dungavell, the executive director of the Friends of Highgate Cemetery, who now own and maintain the vast graveyard, took us around for two hours, clutching a ziplock bag full of keys, letting us see the inside of eight or more private family mausolea, most of which are in the West Cemetery with two in the East Cemetery. I learned the difference between a tomb (a stone enclosure placed over an in-ground or above-ground burial plot), at catacomb (a series of vaults, something akin to terrace houses for the dead), and a mausoleum (which I now think of as a stone garden shed for caskets, which are placed either above or below ground in special chambers but not actually in the earth). Many of the mausolea are pretty darned nice on the outside -- some designed by architects of high regard and made of fine quality stone. Inside they are fascinating. We saw beautiful tile floors, ceilings and domes, lovely carved memorials and sculptures, sarcophagi, and even a wee stone box containing the remains of the family pets. With deep knowledge of architecture, Victorian and Edwardian history, the family stories of those interred here, wit and warmth, Ian was an amazing guide. This was easily one of the best tours I've ever done.




Although the day started out overcast and chilly, by noon-ish the sun was beginning to emerge and the temps were rising. I hurried over to the Parliament Hill Farmers' Market to get a loaf of raisin and nut bread before the market closed and hustled back to the flat to drop off my purchase, have a spot of lunch and plan my next move. My friend Ronnie Hackston, a very good artist, had posted on Facebook that he was taking part in the Tooting and Furzedown artists' open house and gallery trail, so I hopped on the tube and headed down to Tooting Broadway (uncharted territory -- Clapham Common was the furthest south on the Northern Line I'd ever been). I was totally taken with the Furzedown area. The Edwardian terrace cottages are utterly charming! An uphill walk from Tooting Broadway took me to the space in a community centre where Ronnie and two other artists had set up their work. I loved seeing their paintings and prints and talking to them about the pieces. Ronnie made me a cuppa, let me have a sit-down and then walked me to the next gallery along the trail, where he introduced me to an artist friend. More lovely chatting before I moved on to two artists homes (I adored these houses!!) to see prints, painting and pottery. No big purchases as I'm traveling in the world's smallest carry-on bag, but a fine day out in the sunshine. 

Today is Sunday. I've done my laundry, taken the rubbish and recycling out to the bins, and tidied up the studio flat. After banging out this post, I went out for my sole activity of the day, a guided walk with Oonagh Gay around Bloomsbury called Rebels and Blue Stockings: The New Women in Bloomsbury, all about higher education for women starting in the 19th century. As a graduate of Smith College (the largest women's college in America) and having worked for many years at Mount Holyoke College (the oldest continuously-operating women's college in the world), I was very interested in hearing about the UK trajectory for women seeking post-secondary education at universities including Bedford College (the first women's college in the UK), Slade College of Art, Birkbeck, UCL, etc. We learned how women gained entry into bastions of male education, initially being allowed to attend courses but not to get degrees, to establishing their own halls of residence and ultimately obtaining equal access to all levels of education in medicine, art, engineering, etc. 

I'm now back in the loft and looking back on the week. For much of it, I felt a bit lonely and at sea, and was thinking that my efforts to secure the things I needed were taking up too much of my time and keeping me from my culture vulture pursuits. But in retrospect, I see I managed to work a ton of activities into my calendar. I've now got what I need for the flat and have sorted out some administrative tangles (purchasing my new Oyster card and then getting it linked to my TfL account, which necessitated a totally pleasant phone call to customer support). Next week I'll need to find a bank (or visit one I know in Hampstead or Swiss Cottage) to withdraw a bit of cash and I'd like to go to the Belsize Community Library to apply for a library card and borrow a book or two. Since my Tufnell Park hosts are consumed with family life and either too busy or not interested in conversing with me, I'm learning to combat loneliness by chatting up random people on buses, in museums and as I go on guided walks. People have been really lovely to me in every interaction. So, I'm feeling less like the little princess sent to live in the garret, have settled into my role as the lodger who passes through the hallway and up the stairs, and am seeking out friends and strangers when I need company. Let's see what unfolds in the coming week. 

Stats:

Friday:
€3.90 tea in Dublin airport
£20 top up Oyster card
£10 top up phone plan
£3.48 Boots
£15.66 groceries
13,747 steps
5.64 miles

Saturday:
£60 new Oyster card (
£10 of this is the deposit)
£10.70 farmers' market
£14.68 other groceries and wine
£6.60 haloumi croque
Two guided walks - free
22,540 steps
9.29 miles

Sunday:
£1 car boot sale entry
£5 car boot purchases
£1.29 plastic container for bathroom
50p lemon
Belsize guided walk - free
18,330 steps
7.54 miles

Monday:
£3.15 pastel de nata
£4.75 charity shops & Poundland purchases for flat
£3.80 groceries
Exhibitions at NG and NPG - free
15,113 steps
6.21 miles

Tuesday:
£13 water filter jug
£2.95 Forgotten Ends
£18 Holloway Art Deco walk
£5.63 groceries
£4.80 World of Wasps event
Wellcome Collection exhibition - free
21,384 steps
8.79 miles

Wednesday:
£20 Reunion at Kiln Theatre
£3.95 banana bread
£2.33 Too Good to Go surprise bag
£15.70 wine and groceries
14,032 steps
5.76 miles

Thursday:
£6.18 Superdrug
£3.55 groceries
£10 Lee Miller exhibition (with Art Pass)
£8 book launch
Barbican photo exhibition - free
Museum of the Order of St John - free
18,349 steps
7.54 miles

Friday:
£9.35 groceries
Exhibition at British Museum - free
Talk at Shoe Lane Library - free
Charles Dickens Museum - free with Art Pass
Galleries - free
19,962 steps
8.24 miles

Saturday:
£22 Highgate mausolea tour
£5.70 farmers' market
£2.90 groceries
£10 cards at art fair
22,208 steps
9.11 miles

Sunday:
£17.50 women's history walk
£2.50 cookie
13,735 steps
5.63 miles